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"I came to the conclusion that they can't find my voice," the 73-year-old songwriter said of his failed biographers. Jimmy Smith, who was one of the kings of that Hammond B-3 sound. There were three bands on three stages, so there was always music and dancing," Robertson remembers fondly. Some of you have even followed through with subscriptions, which is especially gratifying."Plus, there were a lot of pretty girls in Somers Point. Our role as an independent, fact-based news organization has never been clearer.He was ranked 59th in Rolling Stone magazine’s list of the 100 Greatest Guitarists of All Time.

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A book tour will bring him to the Free Library of Philadelphia for a sold-out event on Wednesday. "To have the opportunity not to travel, and have easy access to New York City, and have Atlantic City right there, where we would see these amazing jazz groups: Shirley Scott and her husband, Stanley Turrentine. So all of these things added up, and Tony Mart's was an amazing crossroads on our journey, a really important thing for us." [email protected]@delucadan We recently asked you to support our journalism. You have encouraged us in our mission — to provide quality news and watchdog journalism.

was five years in the making for the guitarist, who had three times attempted to work on an authorized biography with different writers. "I thought: I'm going to have to do this myself." After procrastinating, "finally I come to a place where I can't carry all these stories around with me anymore. And the only way to set them free is to write the book." The book shares a title with a song on Robertson's 1987 self-titled solo album. At 8, he heard a tribal elder tell the story of Hiawatha and the Peacemaker bringing the Indian nations together. Helm accused Robertson of hogging credit on songs he claimed were communal compositions. Robertson says that he "never had a bad moment or a bad word" with Helm when The Band was together, but that over time his friend became "very bitter about the people around us." Years later, Robertson says, "I hear these things, that I didn't write the songs. It was there that Robertson was summoned for a meeting in New York with Dylan that led to their partnership.

"I tried what most people do," Robertson said in a phone interview last week. (Robertson retold it in a children's book published last year that helped him "find his rhythm" as a prose stylist.) He writes that the elder's tale "sent a charge right through me - the cadence of his voice, the violence, the power, the righteousness. And I just thought: I'm now one of those other people to point a finger at. "When we first got there, it was like a gig on our way to New York," Robertson recalls.

Forty years later, there is, of course, yet another expanded reissue of (Crown Archetype, ). There's so much written about The Band, and Bob Dylan, and this time period, and a tremendous amount of it is inaccurate. His real father was a Jewish gambler, killed in a suspicious auto accident before Robbie - whose given name is Jaime - was born. He was drawn to my background, and I was drawn to his.

Robertson's 500-page memoir finds the Canadian singer/songwriter putting those narrative skills to highly entertaining use in bringing to life a saga that starts with his Toronto childhood (with interludes at Ontario's Six Nations Indian Reserve) and builds to that star-studded night at Winterland. Because the people writing about it weren't there, and they don't know what . Two uncles, "products of Toronto's Jewish underworld," took the young Robertson under their wing, providing mobbed-up intrigue fit for a Scorsese movie. And that's why we became inseparable." The closeness of the bond makes the feud that divided them before the beloved drummer's 2012 death heartbreaking. I never fought back, and I never said one negative thing." In 1965, they were part of a close-knit unit that was a house band at Tony Mart's in Somers Point.

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